• Kate in a green leotard, from the series for Wuthering Heights in January 1978.
  • "From the Pink Leotard series for Wuthering Heights in January 1978. I had decided on a range of dancers clothes for the wardrobe of this first session because of Kate's strong connection with movement." Gered Mankowitz
  • Gered Mankowitz: The Cross: Keith

    £ 2,083£ 8,333
    This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
  • Gered Mankowitz: The Cross: Brian

    £ 2,083£ 8,333
    This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
  • Gered Mankowitz: The Cross: Bill

    £ 2,083£ 8,333
    This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
  • Archival Lambda photograph, image size 24x66 inches, signed and numbered by Gered Mankowitz on the front, and embossed with Gered's official archive stamp. Edition of 5 in this size. Unframed price excluding VAT.
  • Keith Richards recording at RCA Studios, Hollywood, December 1965. This photograph was used on the Big Hits (High Tide and Green Grass) album.
  • Mick Jagger smoking, RCA Studios, Hollywood, December 1965 Used on the Big Hits (High Tide and Green Grass) LP
  • The Rolling Stones on stage, USA 1965
  • Keith Richards recording at Olympic Studios, London, 1967.
  • Archival Chromaluxe photograph, image size 24x69 inches, signed and numbered by Gered Mankowitz on the front, and embossed with Gered's official archive stamp. Edition of 10. Price excluding VAT.
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • This image is made as a ChromaLuxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. This image teams up beautifully with its two other traffic light brother and sister images. They are available to purchase individually or as a set. The set can be hung horizontally or vertically. Prices shown below are for individual artworks. Sizes include the black border.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. This image teams up beautifully with its two other traffic light brother and sister images. They are available to purchase individually or as a set. The set can be hung horizontally or vertically. Prices shown below are for individual artworks. Sizes include the black border.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • Ormond Yard London 1965 Gered recalls: "Shot just outside my Ormond Yard studio, this portrait of the band features two of  Britain's greatest guitarists; Jeff Beck and Jimmy Page. I was very pleased to have captured the bowler hatted city type as he passed by in the background!"  There is certainly more than meets the eye in this picture. We actually think this photograph is a perfect example of one of Henri Cartier-Bresson's "decisive moments". Here's why. Well, it goes without saying that the band were posed by Gered, so its nothing to do with that. It's the fact that closer examination of what is going on in the background reveals a veritable microcosm of 1960's British society. Gered himself mentions the upper class gent in the bowler hat who appears between Keith Relf's legs, looking towards the camera. But look further back and see who is also there, also framed by the Relf thighs - it appears to be a working man in overalls and flat cap walking towards our bowler hatted friend. And then look to the right and see what's going on between Jimmy Page's legs...it's a genuine 1960s beat girl, nicely framed by a doorway she is passing. Prices are shown excluding VAT. This is added at checkout where applicable.
  • Archival silver gelatin photograph made in the darkroom from the original negative by specialist handprinter Barbara Wilson on 8 x 10 inch paper, image size 7.5 x 7.5 inches (19 x 19 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area.

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