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"One of the film siren portraits made for general promotional purposes in March 1978. Although this portrait was not connected with Kates single Hammer Horror I have subsequently felt that it fits the title quite well!" Gered Mankowitz
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A variant of the 1966 album cover photograph. Gered recalls: "This photograph is an out-take from the "Between the Buttons" album cover session. It was taken very early on a beautiful morning after an all night recording session. The Stones always recorded through the night and I thought that their "look" after one of these gruelling sessions might capture an image that would be right for the time. The band's manager and producer Andrew Loog Oldham agreed, as did the band, and at about 5.30 a.m. we all set off in a procession of limousines for Primrose Hill. I had built a rather clumsy filter of black card, glass and Vaseline, which I hoped would create a strange, ethereal and slightly "stoned" look to the photos. In spite of Brian Jones being rather unhelpful some of the time, and all of us feeling the bitter early morning chill, the photos turned out better than I could have wished for and the cover image has become one of my most famous and enduring photos of the Stones".
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RCA Studios, Hollywood, USA 1965
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Mick Jagger in fur coat on the roof of Harley House, London 1966
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Keith Richards at home, Redlands 1966
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Keith Richards & Mick Jagger play cards with Nona Hendryx, backstage USA 1965
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Bill Wyman recording at Olympic Studios, London, 1967
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Between The Buttons Session, Primrose Hill, London, (1966)
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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Charlie Watts recording at Olympic Studios, London, 1967
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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See also the companion pieces, Paisley 1 and Paisley 2. Together they would make a superb triptych, framed individually and then hung close together on your wall. Prices are shown excluding VAT. This is added at checkout where applicable.
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See also the companion pieces, Paisley 2 and Paisley 3. Together they would make a superb triptych, framed individually and then hung close together on your wall. Prices are shown excluding VAT. This is added at checkout where applicable.
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See also the companion pieces, Paisley 1 and Paisley 3. Together they would make a superb triptych, framed individually and then hung close together on your wall. Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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The Lightbox on show in the exhibition is 180 cm x 60 cm and is 40mm deep. It has an integral split batten system for hanging. The image covers the entire front of the box with no visible frame and the edges are black acrylic. It is illuminated by high power LEDs through a dimmable transformer which has a small integral fan inside for cooling (similar to a computer) and can be stored in a cupboard or on the floor below the Lightbox. The Lightbox itself produces virtually no heat whatsoever and can be operated 24/7/365 if required, uses very little power and has a life of many years. Prices are shown excluding VAT. This is added at checkout where applicable.
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Printed on metallic paper, mounted and presented in the exhibition in a box frame without glazing to maximise the impact of light falling on the metallic paper. Prices are shown excluding VAT. This is added at checkout where applicable.
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Printed on metallic paper, mounted on aluminium and presented in a box frame without glazing to maximise the impact of light falling on the metallic paper. Prices are shown excluding VAT. This is added at checkout where applicable.