Gered toured with the Stones in 1965, and made the cover photographs to their 1965 Out of Our Heads (December’s Children) and 1966 Between the Buttons albums. He also worked with Jimi Hendrix, Eric Clapton, Marianne Faithfull and many others.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Signed limited edition photograph on 50x53 inch paper, edition of 24. Unframed price excluding VAT. Gered recalls: "This photograph is from my first shoot with Jimi and has become my most famous image of the great musician. He was very easy to work with, and would arrive at the studio looking perfect. He was a very quiet and gentle person, and he laughed a great deal."
-
Signed limited edition photograph on 50 x 53 inch paper, edition of 24. Unframed price excluding VAT. Gered recalls: "This shot of Jimi smoking has become one of the most famous images of the great musician ever taken. Jimi laughed a great deal and had a great sense of humour; however the look of the time was for everybody to be sullen and moody, but in spite of that a lot of my favourite photos have caught Jimi smiling."
-
A bedrock for any Stones collection. Gered recalls: "This image became my first cover for the band, and was the fulfilment of a dream for me at the age of 18. The original negative for this image was lost years ago, probably stolen from my studio where security was lax to say the least, but it was recently returned to me, having been found in an old lock-up in West London. After careful restoration I am now able to produce these beautiful prints. One of these prints is now part of the permanent collection at the National Portrait Gallery in London." Prices are shown excluding VAT. This is added at checkout where applicable.
-
A variant of the 1966 album cover photograph. Gered recalls: "This photograph is an out-take from the "Between the Buttons" album cover session. It was taken very early on a beautiful morning after an all night recording session. The Stones always recorded through the night and I thought that their "look" after one of these gruelling sessions might capture an image that would be right for the time. The band's manager and producer Andrew Loog Oldham agreed, as did the band, and at about 5.30 a.m. we all set off in a procession of limousines for Primrose Hill. I had built a rather clumsy filter of black card, glass and Vaseline, which I hoped would create a strange, ethereal and slightly "stoned" look to the photos. In spite of Brian Jones being rather unhelpful some of the time, and all of us feeling the bitter early morning chill, the photos turned out better than I could have wished for and the cover image has become one of my most famous and enduring photos of the Stones". Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
This is the sole surviving colour transparency from Gered's 1965 studio session with the Stones. Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Archival silver gelatin photograph made in the darkroom from the original negative by specialist handprinter Barbara Wilson on 8 x 10 inch paper, image size 7.5 x 7.5 inches (19 x 19 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area. Kim Wilde: Old Chapel Studios 1981 Catalogue reference 101.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
"This shot was taken during my last session with Kate in 1979 when we shot a series of photographs in various leotards that Kate had brought. This particular outfit was an amazing, knitted leotard in a particularly vibrant blue colour!" Gered Mankowitz
-
"The leotard was still with us but had evolved and become a little more complicated! Kate is climbing out of an old Kodak print glazing drum that we used as a base for a coffee table in the studio." Gered Mankowitz
-
"An out-take from the back cover series of portraits that I shot for Lionheart in August 1978. I art directed the album cover and my assistant at the time, Richard Grey, designed it and we decided to try and create two front covers but the attic shot was always the stronger." Gered Mankowitz
-
"This was part of a fabulous series of shots I took of Kate in February 1979. The fabric was chosen so that it would move against the shapes that Kate made with her body when blown by a powerful wind machine!" Gered Mankowitz
-
A black & white out-take from the Lionheart album cover shoot taken in a set built in my studio in August 1978.
-
"Taken during my final session with Kate in February 1979 and intended to create the high-fashion magazine cover look of a classic photographer like Norman Parkinson." Gered Mankowitz
-
"Although this portrait was part of the original session in January 1978, it inspired us to shoot more theatrical portraits in the follow-up session a few weeks later." Gered Mankowitz
-
"Shot from the US release of the Kick Inside album sleeve session in March 1978. EMI America had rejected the original cover and I was brought in to shoot an alternative. I had the box made especially for the shoot and we used it again for the Lionheart cover." Gered Mankowitz