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Art Kane knew that their image was as 'bad' boys compared to the Beatles 'boys next door' look, and he wanted to reference that, but going into this 1966 shoot for McCalls Magazine with The Rolling Stones he had no preset idea of how he wanted to photograph them. On the way out of his hotel on the morning of the shoot he grabbed some postcards of Queen Elizabeth II from a giftshop. He knew he wanted the band members to do something disrespectful to this cherished symbol of The British Empire. Of course, in the end McCalls magazine were too nervous to run this early 'punk' photograph of Keith, but we're not scared.
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Eric Clapton, Jack Bruce and Ginger Baker were a new breed of blues band, so Kane decided to shoot them on a railroad track in Chads Ford Pennsylvania, outside of Philadelphia, where the band was performing. After all, what better way to portray the blues than backed by the melancholy of a railway track and the setting sun inflaming Ginger Baker's hair. Drummer Baker, elated over the news that morning of the birth of his son in the UK, would leap up often during the shoot, and roll down the embankment of the train track into bramble bushes, requiring Art's assistant to clean him up. Later, at lunch at a diner in rural Pennsylvania, Baker marched up to a group of firemen who were laughing and pointing at the group of longhaired freaks and said..."What are you laughing at? Look at you in your silly hats"
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Eric Clapton, Jack Bruce and Ginger Baker were a new breed of blues band, so Kane decided to shoot them on a railroad track in Chads Ford Pennsylvania, outside of Philadelphia, where the band was performing. After all, what better way to portray the blues than backed by the melancholy of a railway track and the setting sun inflaming Ginger Baker's hair. Drummer Baker, elated over the news that morning of the birth of his son in the UK, would leap up often during the shoot, and roll down the embankment of the train track into bramble bushes, requiring Art's assistant to clean him up. Later, at lunch at a diner in rural Pennsylvania, Baker marched up to a group of firemen who were laughing and pointing at the group of longhaired freaks and said..."What are you laughing at? Look at you in your silly hats"
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This photograph was made for McCalls magazine's "Teen Idols" story in 1966. Kane strapped himself into full scuba gear and weighted himself down at the bottom of Sonny and Cher's Beverly Hills pool. He took hundreds of pictures until he got 'The One'.
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Wanting to highlight her strong Gospel roots, Kane tried waving the camera in a circular motion to try to make halo shapes from the light in Aretha's eyes. It worked. This photo is also a rare Art Kane crop—as virtually all his images are composed in full frame.
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Art Kane was a huge Bob Dylan fan, and literally stalked a very un-cooperative Dylan around an L.A. rooftop to get the shot. Dylan didn't like being told what to do, and Kane didn't shoot reportage style. Dylan, literally cornered, submitted to the direction and gave up the shot with a smouldering look that says, alright, you win. As Kane later recalled " I told him, "I'm going to stay until I get what I want." I finally manoeuvred him into a corner, he slid down and looked up. I had my shot."
