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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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This is the sole surviving colour transparency from Gered's 1965 studio session with the Stones. Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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A bedrock for any Stones collection. Gered recalls: "This image became my first cover for the band, and was the fulfilment of a dream for me at the age of 18. The original negative for this image was lost years ago, probably stolen from my studio where security was lax to say the least, but it was recently returned to me, having been found in an old lock-up in West London. After careful restoration I am now able to produce these beautiful prints. One of these prints is now part of the permanent collection at the National Portrait Gallery in London." Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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A variant of the 1966 album cover photograph. Gered recalls: "This photograph is an out-take from the "Between the Buttons" album cover session. It was taken very early on a beautiful morning after an all night recording session. The Stones always recorded through the night and I thought that their "look" after one of these gruelling sessions might capture an image that would be right for the time. The band's manager and producer Andrew Loog Oldham agreed, as did the band, and at about 5.30 a.m. we all set off in a procession of limousines for Primrose Hill. I had built a rather clumsy filter of black card, glass and Vaseline, which I hoped would create a strange, ethereal and slightly "stoned" look to the photos. In spite of Brian Jones being rather unhelpful some of the time, and all of us feeling the bitter early morning chill, the photos turned out better than I could have wished for and the cover image has become one of my most famous and enduring photos of the Stones".
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Between The Buttons Session, Primrose Hill, London, (1966)
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Bill Wyman recording at Olympic Studios, London, 1967
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Charlie Watts recording at Olympic Studios, London, 1967
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Keith Richards at home, Redlands 1966
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Keith Richards recording at Olympic Studios, London, 1967.
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Archival Lambda photograph, image size 24x66 inches, signed and numbered by Gered Mankowitz on the front, and embossed with Gered's official archive stamp. Edition of 5 in this size. Unframed price excluding VAT.
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The Rolling Stones on stage, USA 1965
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Keith Richards & Mick Jagger play cards with Nona Hendryx, backstage USA 1965
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Mick Jagger in fur coat on the roof of Harley House, London 1966
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Mick Jagger smoking, RCA Studios, Hollywood, December 1965 Used on the Big Hits (High Tide and Green Grass) LP
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RCA Studios, Hollywood, USA 1965
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Archival Chromaluxe photograph, image size 24x69 inches, signed and numbered by Gered Mankowitz on the front, and embossed with Gered's official archive stamp. Edition of 10. Price excluding VAT.
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Archival silver gelatin photograph made in the darkroom from the original negative by specialist handprinter Barbara Wilson on 8 x 10 inch paper, image size 7.5 x 7.5 inches (19 x 19 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area.
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Archival silver gelatin photograph made in the darkroom from the original negative by specialist handprinter Barbara Wilson on 8 x 10 inch paper, image size 7.5 x 7.5 inches (19 x 19 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area.