• Unique original vintage contact sheet on 8 x 10 inch paper from Peter Webb’s historic Sticky Fingers LP sleeve session with the Rolling Stones. Shows some signs of usage, as would be expected from a working contact sheet of this vintage. Features Peter Webb’s original notations and chinagraph markings. Sheet size 8 x 10 inches (20 x 25.5 cm)  Each image measures 2.25 x 2.25 inches (approx 5.7 x 5.7 cm). Supplied framed and ready to hang, with certificate of authenticity signed by Peter Webb on reverse of frame.  Black wood frame, low glare u/v filtered art glass, window mounted with mount cut to show entire contact sheet. Contact sheets are currently unframed - please allow approx three weeks for framing and delivery. Prices include framing and delivery. 
  • Here's an opportunity to acquire an important early David Bowie photograph – the op-art-inspired cover image for his 1969 LP by photographer Vernon Dewhurst.  David Bowie’s second album, released in 1969 was originally titled David Bowie, It subsequently became known as Space Oddity, in deference to its best-known track. Vernon Dewhurst remembers photographing the cover: “I met David Bowie in 1967 or 68 when I lived in a shared house in Clareville Grove, South Kensington. David had the room on the top floor with Hermione, his girlfriend. I would often pop up for a smoke and glass of wine and to hear his latest songs and it was there I first heard ‘Space Oddity’. David invited me to his Arts Lab in Beckenham, and I photographed him playing there. When he saw the photographs, he asked me to meet with Calvin Mark Lee at Mercury Records to talk about the cover to his second LP.” “They both had this idea of David’s head appearing out of a Vasarely-inspired op art background, but weren’t sure if it could be done. I told them it could. David came to my studio in St.Michael Street, Paddington, and here we photographed the head shot—about three rolls of Ektachrome on a Hassleblad did it. David was a natural model, confident, relaxed, and fun to work with. I finally managed to create the finished montage after a few abortive attempts. It would have been so much easier now with Photoshop!” Just 30 examples (across all size options) of Vernon’s signed limited edition photograph are available to own and hang on your wall. Two sizes are offered, but please ask about a custom size if you have a specific space to fill. 
  • Unique original vintage contact sheet on 8 x 10 inch paper from Peter Webb’s historic Sticky Fingers LP sleeve session with the Rolling Stones. Shows some signs of usage, as would be expected from a working contact sheet of this vintage. Features Peter Webb’s original notations and chinagraph markings. Sheet size 8 x 10 inches (20 x 25.5 cm)  Each image measures 2.25 x 2.25 inches (approx 5.7 x 5.7 cm). Supplied framed and ready to hang, with certificate of authenticity signed by Peter Webb on reverse of frame.  Black wood frame, low glare u/v filtered art glass, window mounted with mount cut to show entire contact sheet. Contact sheets are currently unframed - please allow approx three weeks for framing and delivery. Prices include framing and delivery. 
  • Unique original vintage contact sheet on 8 x 10 inch paper from Peter Webb’s historic Sticky Fingers LP (1971) sleeve session with the Rolling Stones. Shows some signs of usage, as would be expected from a working contact sheet of this vintage. Features Peter Webb’s original notations. Sheet size 8 x 10 inches (20 x 25.5 cm)  Each image measures 4 x 5 inches (approx 10 x 12.5 cm). Supplied framed and ready to hang, with certificate of authenticity signed by Peter Webb on reverse of frame.  Black wood frame, low glare u/v filtered art glass, window mounted with mount cut to show entire contact sheet. Contact sheets are currently unframed - please allow approx three weeks for framing and delivery. Prices include framing and delivery. 
  • Unique original vintage contact sheet on 8 x 10 inch paper from Peter Webb’s historic Sticky Fingers LP sleeve session with the Rolling Stones. Shows some signs of usage, as would be expected from a working contact sheet of this vintage. Features Peter Webb’s original notations and chinagraph markings. Sheet size 8 x 10 inches (20 x 25.5 cm)  Each image measures 2.25 x 2.25 inches (approx 5.7 x 5.7 cm). Supplied framed and ready to hang, with certificate of authenticity signed by Peter Webb on reverse of frame.  Black wood frame, low glare u/v filtered art glass, window mounted with mount cut to show entire contact sheet. Framed and ready to roll. Prices include framing and delivery. 
  • Michael Putland (1947-2019) recalled: I went to David's home, which was a flat in Haddon Hall in Beckenham, to take some photographs for Disc and Music Echo. Bowie came to the door, cigarette in one hand, paintbrush in the other, wearing a one piece catsuit I had seen him perform in on stage a little while before. "Hello mate" he said. "I'm painting my ceiling. Do you mind if I finish it?" And that was how I found myself with a wonderful set of photos of the great man up a ladder waiting the ceiling dressed in his stage clothes, with a matching hat to keep the paint drips off his hair.
  • Michael Putland (1947-2019) recalled: When I arrived as agreed at 10am at a TV studio on London's South Bank to shoot stills of The Rolling Stones "It's Only Rock 'n' Roll" video, I wondered if I had the right day, as no one was there. Over the next few hours technicians wandered in, followed by make-up artists, assistants, record company people, and finally, the band. Well, four of them - there was no sign of Keith. Something about his missing trainers was murmured. When Keith finally arrived, the band dressed in their sailor suits and prepared to enter the huge tent, which was to slowly fill with foam as they entered. It was evening now. The band ran through the number, but there was no foam. The foam was machine was turned up to maximum, and in it rushed. Charlie disappeared completely, then the others were up to their shoulders, but the song was not yet finished. I was shooting through a slit in the tent, which was also getting enveloped in fast-filling foam. Eventually all of the band bailed out at the last minute, straight through the hole I was shooting through. It was hysterically funny - we were all in fits of laughter.

Title

Go to Top