- A worldwide limited edition of just 500 numbered copies, each one signed by Clare Morris on behalf of the Keith Morris Estate.
- Contains Keith Morris's most important images of Nick Drake from his three sessions between April 1969 and November 1971.
- Foreword by Joe Boyd, producer of Nick Drake's first two albums.
- Chapter introductions set the scene on each of Keith Morris's three photo-sessions
- Presented in ultra large format hardcover, 96 pages. When closed, the book measures 24 inches high x 18 inches wide (60x45cm). When the book is open, double page spreads measure 24 inches high x 36 inches wide (60x90cm).
- Contains approximately 200 images, many previously unpublished.
- Clean and elegant layouts show images in various sizes up to 24 x 36 inches across double page spreads, revealing incredible levels of detail never previously presented in book format
- Housed in a beautiful custom slipcase, showing the entire 1969 running man contact sheet of 35 frames in sequential order. The slipcase is lined with black suedel, a felt-like material, which cushions and protects the book.
- Book cover and slipcase deliberately left free of text, so that nothing detracts from the detail in the images. The slipcased book looks and feels like a work of art in its own right.
- Shipping - UK no charge / Europe £50 / USA £75 / Rest of World £95
Seventies ace whose portfolio in included Nick Drake, Marc Bolan and Elvis Costello
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In his session for Five Leaves Left, Keith Morris contrasted the placid, if slightly world-weary, image of Nick Drake with the lives of Londoners going about their everyday business. Prices are shown for unframed items, excluding VAT
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This is the cover image from Elvis Costello's 'My Aim is True' album.
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The hirsute ex-mop top accords due respect to the elfin superstar atop some poor individual's car roof, and perhaps wishes he had a drum kit handy so he could join in.
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What a treat - the entire 35 frame 'running man' contact sheet from Keith Morris's most famous session with Nick Drake. All killer, no filler, not a dud frame amongst them. The photographs are presented in their original running order, and looks staggering in a large format on 30x40 inch paper.
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Backstage at The Hollywood Palladium where Marc and the band would provide a convincing riposte to these who doubted his appeal to mainstream US audiences.
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Although some have said that it ominously, if unwittingly foretold his fatal car accident, this image again shows how much fun Marc was having making the film.
