-
Lenticular (len-tik-ular): A lenticular print is made by placing an "interlaced" image, (digitally cut and reassembled in vertical strips), behind a sheet of plastic with a series of parallel lenses or lenticules embossed into one surface. When the lens is aligned with the image, the viewer sees only one frame at a time. As the viewing angle changes, each of the images are seen in the planned sequence, creating the illusion of movement, depth or animation. Gered explains: "I have always been intrigued by Lenticular printing and saw my first example in New Yorks Times Square in 1965 when I was touring with the Stones it was a saucy postcard of a women revealing her breast as you tilted the card and changed the viewing angle. The Stones went on to use the technique as the cover to their Satanic Majesties album and after that I didn't think much more of it." "Then a few years ago a terrific printer I worked with asked me if I realised that you could now make huge 6ft x 4ft Lenticular prints and I was hooked. They are terribly difficult to produce and take several days to design but the results are incredibly rewarding and it is always a thrill to see people moving from side to side enthralled by the effects the Lenticular Dance! I have produced a completely new lenticular edition for this exhibition based on a series of portraits of Jimi wearing a hat that I took during the second session in March 1967." This lenticular is made up of the three images shown alongside, with blue Jimi as the image view from head on. Prices are shown excluding VAT. This is added at checkout where applicable.
-
Archival 'SoftSharp' pigment print, reverse mounted in 20mm clear acrylic, supplied with certificate of authenticity, signed and numbered by Gered Mankowitz on the reverse. Edition of 10 ( + 3 artists proofs) in this size. Price for this piece includes acrylic framing, and excludes 20% VAT, which is added at checkout for UK customers. JUST ONE LEFT. This piece is a presented in a technique called 'Softsharp': a special coating is applied to the front of the image and the impact is that it moves from soft to sharp focus (and back) before your very eyes. Jimi would definitely have approved. Supplied in a 'frameless' perspex frame made with 20mm clear perspex on the front of the image and split baton hanging structure on the reverse, 'Psychedelic blue' and its sister piece, Jimi 'Psychedelic Pink' work beautifully as a pair.
-
Archival 'SoftSharp' pigment print, reverse mounted in 20mm clear acrylic, supplied with certificate of authenticity, signed and numbered by Gered Mankowitz on the reverse. Edition of 10 ( + 3 artists proofs) in this size. Price for this piece includes acrylic framing, and excludes 20% VAT, which is added at checkout for UK customers. JUST ONE LEFT. This piece is a presented in a technique called 'Softsharp': a special coating is applied to the front of the image and the impact is that it moves from soft to sharp focus (and back) before your very eyes. Jimi would definitely have approved. Supplied in a 'frameless' perspex frame made with 20mm clear perspex on the front of the image and split baton hanging structure on the reverse, 'Psychedelic pink' and its sister piece, Jimi 'Psychedelic blue' work beautifully as a pair.
-
Limited edition in a choice of physical size options, signed and numbered by Gered Mankowitz.
-
In the exhibition we have chosen to display this image mounted on dibond, trimmed to display the image area only, and presented in a white box frame construction with the mounted print 'floating'. Framed in this way, the signature and number appear on the reverse. It could equally be supplied in a regular frame and window mount, signed and numbered on the front. Prices are shown excluding VAT. This is added at checkout where applicable.
-
Printed on metallic paper, mounted on aluminium and presented in a box frame without glazing to maximise the impact of light falling on the metallic paper. Prices are shown excluding VAT. This is added at checkout where applicable.
-
Printed on metallic paper, mounted and presented in the exhibition in a box frame without glazing to maximise the impact of light falling on the metallic paper. Prices are shown excluding VAT. This is added at checkout where applicable.
-
The Lightbox on show in the exhibition is 180 cm x 60 cm and is 40mm deep. It has an integral split batten system for hanging. The image covers the entire front of the box with no visible frame and the edges are black acrylic. It is illuminated by high power LEDs through a dimmable transformer which has a small integral fan inside for cooling (similar to a computer) and can be stored in a cupboard or on the floor below the Lightbox. The Lightbox itself produces virtually no heat whatsoever and can be operated 24/7/365 if required, uses very little power and has a life of many years. Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
See also the companion pieces, Paisley 1 and Paisley 3. Together they would make a superb triptych, framed individually and then hung close together on your wall. Prices are shown excluding VAT. This is added at checkout where applicable.
