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Window mounted and ready to frame, these open edition prints have an overall mounted size of approx 20x20 inches (50x50cm) and an image size of approximately 10x10 inches ( 27x27cm) for a square image. Prints are embossed with the Duffy archive stamp, and ink stamped on the reverse with a replica of Duffy's original studio logo, and sealed in a clear cellophane wrapper. If you would like to order a print, simply make your purchase and notify us of your chosen image. Shipping charges apply where we ship outside the UK. Europe – GBP 40 ; USA – GBP 50; Rest of World – GBP 65.
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Photo by Duffy © Duffy Archive & The David Bowie Archive™
This nine frame contact sheet was put together by Chris Duffy and combines the 'eyes open' colour image with eight black and white images from the session. -
Photo by Duffy © Duffy Archive & The David Bowie Archive™
David Bowie, Aladdin Sane - This iconic album cover image was taken in Duffy’s London studios in 1973 and was the second of five sessions Duffy shot with David. This photo has been the one image that has defined David’s career and is nicknamed the ‘Mona Lisa of Pop’. The teardrop on David’s collarbone was airbrushed in by Philip Castle. The makeup artist was Pierre La Roche. -
Photo by Duffy © Duffy Archive & The David Bowie Archive™
This startling image was rediscovered in the Duffy archive in 2011. The Victoria & Albert Museum used this photograph as the lead image for the ‘David Bowie is’ exhibition which has toured worldwide and attracted over 1.6 million visitors. This image has become almost as well known as the original Aladdin Sane cover image. -
This signed limited edition photograph comes from Duffy's session for a feature in the Sunday Times colour supplement in 1977 to launch Blondie's first UK tour. She is wearing a Patti Smith t-shirt.
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This mini contact sheet comes from Duffy's session or a feature in the Sunday Times colour supplement in 1977 to launch Blondie's first UK tour. She is wearing a Patti Smith t-shirt.
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Archival silver gelatin print, 12 x 19 inch image size, limited edition of 25. Signed by Duffy on the front, numbered and ink-stamped on reverse. Price for unframed photograph excluding VAT. Paul McCartney and producer George Martin shot by Duffy recording the soundtrack for the film The Family Way at Cine Tele Sound (CTS) studios in November 1966 – The same month recording began for Sgt. Pepper’s Lonely Hearts Club Band.
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Archival pigment print, 10 x 16 inch image size, limited edition of 10. Signed by Duffy on the front, numbered and ink-stamped on reverse. Price for unframed photograph excluding VAT. Shot by Duffy in 1965 for John Lennon’s book John Lennon: an anthology of Lennon’s poetry. This photograph appeared on the rear cover and the book was designed by Alan Aldridge who nicknamed himself ‘The man with the Kaleidoscope Eyes’ from the Beatles song ‘Lucy in the Sky with Diamonds’. John frequently stopped by to see Duffy at home and once asked ‘Can I bring my mate Ringo in..?’
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This mini contact sheet of nine individual frames consists of images taken by Duffy in 1965 after the Beatles had returned to the UK from playing at the Shea Stadium, New York. Lennon had picked up the box in a New York novelty store which had been sold to him as a ‘UFO detector.’ It had lights that went on and off intermittently and he brought it to Duffy’s studio for the amusement of the studio team.
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This photo was taken by Duffy in 1965 after the Beatles had returned to the UK from playing at the Shea Stadium New York that had been the highlight of their U.S. tour. Lennon had picked up this box in a New York novelty store which had been sold to him as a ‘UFO detector.’ It had lights that went on and off intermittently and he brought it to Duffy’s studio for the amusement of the studio team.
