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‘We the People’ was shot for Look magazine in 1961 for a story about the US constitution. Art Kane gathered a group of friends together on a distant hillside, then had assistants hold an American flag directly in front him. Through perspective and depth of field, this created the impression that the the people were standing on top of the flag. Its concept, saturated colour and strong composition also reflect an ongoing passion for flags in this early ‘hit’ for Art Kane.
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Kane shot Armstrong in Death Valley - one of his earliest photographic assignments. He hired a small four seat Beechcraft plane (which Louis Armstrong was none too happy about) to fly from Las Vegas, where Armstrong was performing, to a deserted stretch of road in the Mojave desert, where Kane wanted to make the photograph. Armstrong had to leave his wife Lucille, who accompanied him everywhere, in Vegas, as the plane only had room for Armstrong, Kane, the pilot, and the rocking chair he wanted Armstrong to sit in - on that day the chair was more important than Lucille. Kane was tired of seeing photographs of him playing his trumpet, with his cheeks puffed out, and so during the shoot, asked Armstrong to put down the instrument. This was about portraying him as a man at ease, with the sun setting in the background, and not as a musician or entertainer.
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Wanting to highlight her strong Gospel roots, Kane tried waving the camera in a circular motion to try to make halo shapes from the light in Aretha's eyes. It worked. This photo is also a rare Art Kane crop—as virtually all his images are composed in full frame.
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This photograph was made for McCalls magazine's "Teen Idols" story in 1966. Kane strapped himself into full scuba gear and weighted himself down at the bottom of Sonny and Cher's Beverly Hills pool. He took hundreds of pictures until he got 'The One'.