• February 1999 - Los Angeles, California  Robert Sebree reflects: “This image was shot a few months before Tom remarried and he was in a great space. Tom was always more comfortable being photographed in his element than sitting for a formal portrait. I made a series of portraits during this period and sensed a greater level of trust. He was very content which I believe allowed him to connect with the camera and embrace the process with greater ease.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
  • January 2002 - Cello Studios, Hollywood, California  Robert Sebree explains: “Tom’s previous album, Echo, was crafted during a pretty dark time for the band and I felt like we were setting the clock back to a better time when we went into the studio for The Last D.J. This album marked the return of Ron Blair to the Heartbreakers replacing Howie Epstein on bass after Howie had replaced Ron twenty years earlier.”  Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
  • February 1999 - Santa Monica, California  Robert Sebree recollects: “Tom took an interest in a hot rodded ’54 Chevy pickup I had driven to a previous session, so even though I was still in the process of converting this ’54 Chevy panel delivery into a grip truck I decided to use it to haul my gear to the shoot. When I saw Tom’s eyes light up at the site of the van I think we both knew this shot was going to happen.  After we finished the shoot we went out to the van and hung out. Tom would strum the guitar while we talked and then break into a song which was punctuated with the occasional photograph. The van unlocked some memories for Tom. His father had the same panel truck that he used to drive around Florida wholesaling cigarette lighters to grocery stores when Tom was a kid.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
  • August 1988 - Point Dume, California  Robert Sebree recalls: “I made this photograph within minutes of first meeting Tom. When I introduced myself he smiled and said with a slow, exaggerated southern draw “If there’s anything I can do for you, you just let me know”. As we carefully made our way across some jagged rocks along the beach he mentioned that if he slipped he would bleed a steady stream of the weed he had flowing through his veins. You don’t forget that kind of “Hello”. At the time I had no point of reference to base this experience on but as we continued to work together over the years I came to realize the ease with which we got on from the beginning. Shortly after shooting this image, Tom’s art director requested a meeting. Rather than deferring to the label’s art department Tom would hire his own creative team so he could oversee the art himself. The cover to Full Moon Fever had already been determined but they were interested in my images for promotion. This image was used full-bleed for the album’s back cover.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph.  If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
  • March 1999 - Santa Monica, California  Robert Sebree recalls: “This shot was commissioned from the now defunct Tower Records to promote Tom’s third collaboration with Rick Rubin, Echo. Outtakes from this session were used on the cover of their publication Pulse!” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
  • August 1988 - Encino, California Robert Sebree explains: “I became a reoccurring occurrence in Dave Stewart’s (Eurythmics) life when I was assigned to photograph him for three different clients in a ten day period. Dave was producing a project called Beyond the Groove and asked me to shoot stills for it. I never saw a script on set, pretty sure there wasn’t one. The project had a Magical Mystery Tour vibe that cast Dave’s eclectic roster of friends in scenes featuring iconic tableaus of Southern California.  Tom was interested in every aspect of his work which in 1988, for better or worse, was entwined with the film industry as the labels courted MTV. When there was a break in filming, Tom could be found holding a boom pole with the sound crew or studying how things worked from the other side of the camera.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
  • March 1996 - Village Recording, West Hollywood, California.  Robert Sebree reflects: “Tom was scoring his first film, She’s The One for Ed Burns. The timing was good and the project served as a welcome diversion from his ongoing divorce. He had moved out of the family house and was adjusting to living alone for the first time in years. Over lunch one day I mentioned that I was in the middle of my divorce which provided the common ground we needed to engage in topics a little deeper than our typical conversations.  After a long day in the studio I would often get a call from Tom that would last for hours as we discussed everything except the day we had just spent together. He spoke as if we were going through the same thing and I argued that our circumstances were very different - most obviously that he had children and a mountain of assets. He made me realize that in the ways that mattered that we were experiencing a lot of the same pain, turmoil and uncertainty, as well as a sense of excitement—because our futures no longer seemed preordained.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
  • Prices are shown excluding VAT. This is added at checkout where applicable.

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