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An archival photograph in a limited edition of 25 on 16 x 20 inch paper. A stamped, numbered, posthumous estate print issued by the Jim Marshall Estate in one size only with certificate of authenticity. Price is shown for an unframed example excluding VAT.
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An archival photograph in a limited edition of 25 on 20 x 24 inch paper. A stamped, numbered, posthumous estate print issued by the Jim Marshall Estate in one size only with certificate of authenticity. Price is shown for an unframed example excluding VAT.
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An archival photograph in a limited edition of 25 on 20 x 24 inch paper. A stamped, numbered, posthumous estate print issued by the Jim Marshall Estate in one size only with certificate of authenticity. Price is shown for an unframed example excluding VAT.
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An archival photograph in a limited edition of 25 on 16 x 20 inch paper. A stamped, numbered, posthumous estate print issued by the Jim Marshall Estate in one size only with certificate of authenticity. Price is shown for an unframed example excluding VAT.
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Limited edition of 100 screenprints, each one signed and numbered by Peter Blake.Image size 9.5 x 9.5 inches ( 24 x 24 cm ) on 17 x 17 inch ( 44 x 44cm ) paper
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An archival photograph in a limited edition of 25 on 20 x 24 inch paper. A stamped, numbered, posthumous estate print issued by the Jim Marshall Estate in one size only with certificate of authenticity. Price is shown for an unframed example excluding VAT.
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Archival silver gelatin photograph made in the darkroom from the original negative by specialist handprinter Barbara Wilson on 8 x 10 inch paper, image size 6.3 x 9.5 inches (16 x 24 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area.
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Archival silver gelatin photograph made in the darkroom from the original negative by specialist handprinter Barbara Wilson on 8 x 10 inch paper, image size 7.5 x 7.5 inches (19 x 19 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area.
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Archival silver gelatin photograph made in the darkroom from the original negative by specialist handprinter Barbara Wilson on 8 x 10 inch paper, image size 7.5 x 7.5 inches (19 x 19 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Archival silver gelatin photograph made in the darkroom from the original negative by specialist handprinter Barbara Wilson on 8 x 10 inch paper, image size 7.5 x 7.5 inches (19 x 19 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area.
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Archival silver gelatin photograph made in the darkroom from the original negative by specialist handprinter Barbara Wilson on 8 x 10 inch paper, image size 7.5 x 7.5 inches (19 x 19 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area.
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Charlie Watts recording at Olympic Studios, London, 1967
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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Between The Buttons Session, Primrose Hill, London, (1966)
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Bill Wyman recording at Olympic Studios, London, 1967
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Keith Richards & Mick Jagger play cards with Nona Hendryx, backstage USA 1965
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Keith Richards at home, Redlands 1966
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Mick Jagger in fur coat on the roof of Harley House, London 1966
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RCA Studios, Hollywood, USA 1965