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A signed limited edition photograph available in a choice of size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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The session for "News of the World" took place on 9 February 1978, and was Martyn Goddard's first shoot with the band outside the studio environment. Martyn recalls: “The shoot was necessarily short due to the cold outdoor location and the group members complaining at the early start and lack of breakfast. As luck would have it I knew the area well because my father-in law ran a business in adjacent Beak Street. He was the fount of all knowledge when it came to local cafés. I led the way to Frank’s Café just around the corner in Lexington Street, where I took this photograph." A signed limited edition photograph available in a choice of size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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The studio session for the band’s fifth single, “David Watts/’A’ Bomb in Wardour Street”, took place in Martyn Goddard’s Kensington Church Street studio on 24 May 1978. Martyn observes: “Looking back at the images from this session, the thing that really strikes me is how much fun they were all having. There’s a sense of them operating as a unit in these photographs, and enjoying each other’s company. This was also the first shoot where Paul was in the middle. Usually he stood on the left.” A signed limited edition photograph available in a choice of size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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The studio session for the band’s fifth single, “David Watts/'A' Bomb in Wardour Street”, took place in Martyn Goddard’s Kensington Church Street studio on 24 May 1978. Martyn observes: “Looking back at the images from this session, the thing that really strikes me is how much fun they were all having. There’s a sense of them operating as a unit in these photographs, and enjoying each other’s company. This was also the first shoot where Paul was in the middle. Usually he stood on the left.” A signed limited edition photograph available in a choice of size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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The studio session for the band’s fifth single, “David Watts/'A' Bomb in Wardour Street”, took place in Martyn Goddard’s Kensington Church Street studio on 24 May 1978. This is the image that appeared on the cover of the single. A signed limited edition photograph available in a choice of size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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The studio session for the band’s second single, “All Around the World”, took place in Martyn Goddard’s Kensington Church Street studio on 1 June 1977. The band were wearing their signature black three-button suits, white button-down shirts and skinny black ties. The plan was to keep the front cover simple: a full-length band shot with a vibrant yellow vinyl-covered background, sprayed with the now familiar Jam logo. Martyn added some dramatic effect by using fashion photography lighting. A signed limited edition photograph available in a choice of size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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The studio session for the band’s second single, “All Around the World”, took place in Martyn Goddard’s Kensington Church Street studio on 1 June 1977. The band were wearing their signature black three-button suits, white button-down shirts and skinny black ties. The plan was to keep the front cover simple: a full-length band shot with a vibrant yellow vinyl-covered background, sprayed with the now familiar Jam logo. Martyn added some dramatic effect by using fashion photography lighting. A signed limited edition photograph available in a choice of size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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The studio session for the band’s second single, “All Around the World”, took place in Martyn Goddard’s Kensington Church Street studio on 1 June 1977. The band were wearing their signature black three-button suits, white button-down shirts and skinny black ties. The plan was to keep the front cover simple: a full-length band shot with a vibrant yellow vinyl-covered background, sprayed with the now familiar Jam logo. Martyn added some dramatic effect by using fashion photography lighting. A signed limited edition photograph available in a choice of size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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Meet Liza. She can't get enough of The Jam. It's Sunday morning and she is surrounded by Jam vinyl, recovering from a big Saturday night. She's a serious collector, and has first pressings of all six of their UK studio albums, and all sixteen of their UK singles in original sleeves. She likes to crank it up, but has to use headphones as it's still early and she doesn't want to wake the neighbours. This beautiful new limited edition artwork by Ben the Illustrator is available to purchase in a choice of sizes. The two smaller sizes (small and medium) are archival pigment prints on paper, and prices for these are shown unframed. We can quote you for a frame if you would like us to organise framing/delivery. Just let us know when you put your order in for an unframed print, and we will confirm the cost—which will vary depending on the size, type of glass and your location. Large and Ultra-large sizes are ChromaLuxe prints on high-gloss coated aluminium. ChromaLuxe prints are the absolute perfect match for Ben’s vibrant artworks. If you haven’t seen a ChromaLuxe print before, you are in for a treat. They have an ultra-high-gloss finish, with richly saturated colours and a jewel-like appearance. The technique uses a process called dye-sublimation to fuse the image directly on to a 1.25 mm thick panel of white-coated aluminium—which gives them in-built structural rigidity. They hang straight on the wall without additional framing because there is a special subframe on the reverse—this allows the artwork to hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. Please allow 2 weeks between order and delivery for small and medium sizes, and 3-4 weeks for large and ultra-large sizes. Check out the options below and give Liza a space on your wall.
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Meet Billy. He loves The Jam. He's in dream time right now, listening to his collection of Jam vinyl. He's got all six of their UK studio albums, and all sixteen of their UK singles. All in picture sleeves of course. What a great way to spend a Sunday. This beautiful new limited edition artwork by Ben the Illustrator is available to purchase in a choice of sizes. The two smaller sizes (small and medium) are archival pigment prints on paper, and prices for these are shown unframed. We can quote you for a frame if you would like us to organise framing/delivery. Just let us know when you put your order in for an unframed print, and we will confirm the cost—which will vary depending on the size, type of glass and your location. Large and Ultra-large sizes are ChromaLuxe prints on high-gloss coated aluminium. ChromaLuxe prints are the absolute perfect match for Ben’s vibrant artworks. If you haven’t seen a ChromaLuxe print before, you are in for a treat. They have an ultra-high-gloss finish, with richly saturated colours and a jewel-like appearance. The technique uses a process called dye-sublimation to fuse the image directly on to a 1.25 mm thick panel of white-coated aluminium—which gives them in-built structural rigidity. They hang straight on the wall without additional framing because there is a special subframe on the reverse—this allows the artwork to hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. Please allow 2 weeks between order and delivery for small and medium sizes, and 3-4 weeks for large and ultra-large sizes. Check out the options below and give Billy a space on your wall.
