• Specifications 
    • 12 x 12 inch limited edition hardcover book, 166 pages.
    • More than 150 photographs, many previously unpublished.
    • A worldwide limited edition of 350 numbered copies, each one signed and numbered by Brian Aris
    • Supplied with limited edition photograph signed and numbered by Brian Aris
    • Book and photograph have matched edition numbers.
    • Book and photograph housed in black presentation box with inset image in lid.
    • No extra delivery costs for shipping to a UK mainland address
    • Shipping outside the UK: Europe £30 / USA £45 / Rest of World £60
  • Specifications 
    • 12 x 12 inch limited edition hardcover book, 84 layflat 400gsm pages.
    • Approximately 150 photographs, many previously unpublished.
    • A worldwide limited edition of 350 numbered copies, each one signed and numbered by Martyn Goddard
    • Supplied with limited edition 12 x 12 inch photograph signed and numbered by Martyn Goddard
    • Book and photograph have matched edition numbers.
    • Book and photograph housed in black presentation box with inset image in lid.
    • No extra delivery costs for shipping to a UK mainland address
    • Shipping outside the UK: Europe £30 / USA £45/ Rest of World £60
    • In stock and shipping now
  • Specifications 
    • 12 x 12 inch limited edition hardcover book, 156 pages.
    • Approximately 150 photographs, many previously unpublished.
    • A worldwide limited edition of 350 numbered copies, each one signed and numbered by Gered Mankowitz
    • Supplied with limited edition 12 x 12 inch photograph signed and numbered by Gered Mankowitz
    • Book and photograph have matched edition numbers.
    • Book and photograph housed in black presentation box with inset image in lid.
    • No extra delivery costs for shipping to a UK mainland address
    • Shipping outside the UK: Europe £30 / USA £45 / Rest of World £60
    • Large format hardcover book in custom slipcase
    • A worldwide limited edition of just 500 numbered copies, each one signed by Eric Meola.
    • Contains Eric Meola's most important images of Bruce Springsteen and Clarence Clemons from his June 1975 Born to Run photoshoot, alongside previously unpublished material
    • Presented in ultra large format hardcover, 96 pages, with essay by Eric Meola. When closed, the book measures 24 inches high x 18 inches wide (60x45cm). When the book is open, double page spreads measure 24 inches high x 36 inches wide (60x90cm)
    • Clean and elegant layouts show images across double page spreads, revealing incredible levels of detail never previously presented in book format
    • Housed in a beautiful custom slipcase which reproduces the front and back book cover art. The slipcase is lined with black suedel, a felt-like material, which cushions and protects the book
    • Book cover and slipcase deliberately left free of text, so that nothing detracts from the detail in the images. The slip-cased book looks and feels like a work of art in its own right
    • Shipping - UK no charge / Europe £50 / USA £75 / Rest of World £95
  • Limited edition of 75 + 15 artists proofs created from a traditional process in a mix of antique wood and movable type, each one individually numbered. Printed on bright red 270 gsm G.F Smith Colorplan paper. Paper size 40 x 64 cm / 15.75 x 25 inches.  The price is shown for an unframed print. We can organise framing - please ask for a quote for framing and delivery based on your location. There are no delivery charges in the UK for an unframed print. Delivery charges apply outside the UK mainland.  
  • On Monday 8 December 1975 the first leg of Bob Dylan’s Rolling Thunder Revue came to a close with the Night of the Hurricane concert at Madison Square Garden in New York.  This was a benefit night for Rubin “Hurricane” Carter, the subject of Bob Dylan’s song “Hurricane”, written with Jacques Levy, and which had been released as a single the previous month.  This limited edition letterpress print celebrates that concert, and features the twenty-two songs performed by Bob Dylan that evening. For this print we chose a green Colorplan paper by G. F. Smith - a reference to a background colour on a contemporary button/pin badge featuring Rubin Carter. The two typographic rules appearing at the top and bottom of the print are based on guitar straps used by Bob Dylan on the Rolling Thunder tour.  The limited edition print uses a mix of fonts including the Slab Serif and decorative Americana typefaces associated with Dylan and the time; plus simple bold Grotesque faces used on boxing posters. Each print is handmade and the edition is printed in full at the outset. Prints are in stock and ready to ship. Specifications Limited edition of 75 created from a traditional process in a mix of antique wood and movable type, each one individually numbered. Printed on 270 gsm G.F Smith Colorplan paper. Paper size 40 x 64 cm / 15.75 x 25 inches.  The price is shown for an unframed print. We can organise framing – please ask for a quote for framing and delivery based on your location. There are no delivery charges in the UK for an unframed print.  Delivery charges apply outside the UK mainland.
  • Limited edition of 75 + 7 artists proofs created from a traditional process in a mix of antique wood and movable type, each one individually numbered. Printed on Azure blue 270 gsm G.F Smith Colorplan paper. Paper size 40 x 64 cm / 15.75 x 25 inches.  The price is shown for an unframed print. We can organise framing – please ask for a quote for framing and delivery based on your location. There are no delivery charges in the UK for an unframed print.  Delivery charges apply outside the UK mainland.
  • Limited edition print by Alex Borg inspired by "Here Comes The Sun" by The Beatles. Edition of 20, each one individually hand-numbered and signed by Alex Borg and printed on 300gsm natural white uncoated 29.7 x 42 cm / 11.7 x 16.5 inch art-paper. Can be supplied unframed or framed - select below.  
  • Archival pigment print in a limited edition of 150, from the original album cover artwork, on Somerset Photo Satin 300 gsm paper. Paper measures 76x78cm (30x31 inches), with an image size measuring approximately 58x58cm (23x23 inches). Signed by Mick Jones and Paul Simonon. Please allow 6-8 weeks between order and delivery.
  • Limited edition of 75 + 10 artists proofs created from a traditional process in a mix of antique wood and movable type, each one individually numbered. Printed on 270 gsm G.F Smith Colorplan paper in Citrine.  Paper size 40 x 64 cm / 15.75 x 25 inches.  The price is shown for an unframed print. We can organise framing - please ask for a quote for framing and delivery based on your location. There are no delivery charges in the UK for an unframed print. Delivery charges apply outside the UK mainland.  
  • We are really pleased to be able to offer you the chance to own this wonderful limited edition print by renowned New York City based illustrator, Aaron Meshon. Aaron originally produced this map for an article in Rolling Stone magazine in 2003, and he is releasing it as a limited edition fine art print for the first time to collectors in an updated and improved version. Now the cartographers reading this will start to get picky, as it isn't an exact representation of New Jersey, so we'll be upfront and tell you that you don't want to use this map to get yourself around the state of NJ. If you take it in the spirit it is intended, namely to frame up and hang on your wall - as a fun representation of New Jersey reflecting some of the places name-checked in Bruce Springsteen's songs - you won't go wrong. Despite repeated pleas from Boss fans all around the world who have stumbled across the 2003 version, Aaron has not made the map available to collectors before. It makes an ideal gift for the Boss fan in your life ( who may well be you.) It is a limited edition of 150 individually signed and numbered archival pigment prints on Hahnemuhle fine art paper. The paper measures 13 x 19 inches, and the image size is 11 x 16 inches. Each one is made personally by Aaron in his studio, and signed, numbered and titled on the front under the image.
  • Specifications 
    • 12 x 12 inch limited edition hardcover book, 166 pages.
    • More than 150 photographs, many previously unpublished.
    • A worldwide limited edition of 350 numbered copies, each one signed and numbered by Brian Aris
    • A small quantity of the signed limited edition book (from the edition of 350) are now available to purchase for a limited time at a price of £125 without the print and presentation box.  
    • A Deluxe set including the signed limited edition book with a signed limited edition photograph, in a presentation box, is also available, and can be purchased here.
    • No extra delivery costs for shipping to a UK mainland address
    • Shipping outside the UK: Europe £30 / USA £45 / Rest of World £60
  • Limited edition of 195 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches.Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
  • Whether or not Keith Moon drove a Rolls-Royce, a Chrysler Wimbledon or indeed any other car into a swimming pool, and whether or not the pool had water in it at the time, does not really matter. It was a symbolic statement of rock’n’roll excess, and Bonehead was right - it was a great basis for an album cover. The original number plate on the Rolls Royce, MDH 119K was changed to SYO 724F. This was the number plate featured on the police van on the cover of Abbey Road; another nod to rock ‘n’ roll cultural history.
  • The (What’s the Story) Morning Glory? front cover photograph by Michael Spencer Jones.  
  • Limited edition of 60 worldwide, signed and numbered by the artist, Toby Mott. A pigment and silkscreen on Woodstock Felt 310gsm paper, printed by Senecio, Oxford and Hippo Screenprinters, Essex. Image size: 20 x 20 inches (51 x 51 cm approx), paper size: 25.5 x 26.5 inches (65 x 67 cm approx)
  • A limited edition of 50 on 8 x 10 inch paper, signed and numbered on the front under the image area. Price is shown for an unframed photograph, and there are no delivery charges to a UK mainland addresses. Delivery charges apply outside the UK mainland. Please ask for a quote if you would like framing.
  • Limited edition of 75 + 10 artists proofs created from a traditional process in a mix of antique wood and movable type, each one individually numbered. Printed on blue 270 gsm G.F Smith Colorplan paper. Paper size 40 x 64 cm / 15.75 x 25 inches.  The price is shown for an unframed print. We can organise framing - please ask for a quote for framing and delivery based on your location. You can see an example in a white frame (our recommendation) alongside. There are no delivery charges in the UK for an unframed print. Delivery charges apply outside the UK mainland.  
  • You choose the vinyl, and we create this ultra-large three dimensional version for you. The standard unframed version is supplied ready to hang directly on the wall, as it is comes with a sub-frame on the reverse. The effect is that the large disc appears to float just off the wall. There are no delivery charges on the basic unframed (but ready to hang) version, wherever you are in the world. We can also organise framing for you, and we recommend a box frame in white or black - your choice. You can see prices for framing below. Please note that there are no delivery charges worldwide for unframed pieces. For framed items, delivery is free to UK mainland addresses. This means that delivery charges only apply to framed items where they are shipped outside the UK mainland, and if this is you, we will get you a quote once we know your delivery address. The Temple of Wax is a bespoke service, and we can recreate your chosen record in any size up to 100cm diameter. Please get in touch if you would like a custom size outside the standard sizes we offer here.
  • One front and one back cover print sold as a pair for a special price - limited edition of 195 archival pigment prints, each with image size 18 x 18 inches, on paper measuring 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
  • When Columbia Records art director John Berg was asked to show his lifetime body of work at the prestigious Guild Hall in East Hampton, NY, photographer Eric Meola made this contact sheet for him, which shows 31 frames from among two of the nineteen rolls he shot on June 20, 1975, which resulted in perhaps the most iconic and well-known photograph in rock 'n' roll's history--the cover of the album 'Born to Run'.
    Photograph Eric Meola, registered with U.S. Copyright Office
  • Special offer limited edition for the Masterplan25 exhibition Your chance to own a signed limited edition by Michael Spencer Jones in a special 8 x 10 inch size at a nice price. This 8 x 10 inch photograph shows one of the session images taken by Michael Spencer Jones for Definitely Maybe in 1994. It is offered in an edition of 250, each one signed and numbered in white in the black area under the image by Michael Spencer Jones and embossed with his archive stamp. We can supply it unframed or framed.  
  • Olly Ball’s recollections of the session are fascinating:  “We shot the cover of Our Favourite Shop on a Sunday afternoon in London in April or May 1985, at Bow Street Studios in Covent Garden. I was based there for ten years.” “I wasn’t a rock photographer as such. I mostly shot magazine editorial in those days. I was offered the job because Simon Halfon, the designer, had seen some photos I’d shot for the Observer Magazine Living Extra. These were pictures of rooms based on a TV programme; so we’d have Jewel In The Crown on the TV and all the props and food would be Indian. The other themes were Dallas, Arena and The Tube.” “Most of the stuff in the shop belonged to Paul and Mick, but the snooker cue and George Best coat hanger are mine. Fran Crawley was the stylist and she supplied the counter, book-rack etc. The set was built by my assistant, and great friend, Ross Kerridge with Peter Chatterton. Paul and Mick dressed most of the set, but we were all involved, and I shot it on a Mamiya RB6x7 on a 90mm lens.” “I’m happy to say it went straight to number 1 in the album charts, but it remains the only album cover I ever shot.”
  • Limited edition of 75 archival pigment prints, image size 18 x 18 inches, printed with black background, signed and numbered by Michael Spencer Jones with white chinagraph pencil on the front under the image. Unframed price.  
  • Limited edition of 195 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
  • Photograph © Eric Meola, registered with U.S. Copyright Office
  • "By the time I took this picture (for  This Year's Model, Elvis Costello's second album, released in 1978) I had already photographed Elvis a dozen or more times. As his career took off I watched his confidence in front of the camera grow. In those days every single had a picture sleeve, so by the time this album came, we had done several sleeves together and Elvis was relaxed when working with me. Apart from my assistant, there were just the two of us. The concept of him behind a camera for the sleeve of This Year's Model had already been chosen, so I decided to equip Elvis with exactly the same tripod and camera as I was using to create a 'mirror' for him. Alongside a powerful stereo I kept a large record collection at my Camden Studio, and artists would choose music they enjoyed or were interested in for their sessions. Just as we were about to start shooting, Elvis asked me if I had Hotel California by The Eagles, and could I play it? I was puzzled by his choice - until he told me that he loathed the record, but wanted to look really pissed off and angry in the shots! We played the record several times during the session and whilst I directed him, I was also aware of his copying some of my own actions as I took the photographs. This picture was only recently discovered, and is the next frame to one used for the album sleeve. It has never been published before." Chris Gabrin
  • Harry Borden: Baroness Thatcher

    £ 625£ 5,800
    Baroness Thatcher photographed at The Lemonade Factory studios, Battersea, London,  9 October 2006 Harry recalls the shoot: " Like her or loathe her, Margaret Thatcher was a major figure in British life in the 1980s. She changed the country’s cultural and political landscape. My career as a photographer didn’t really take off until the early 1990s, by which time her political career was over. I never got the opportunity to photograph her in her pomp and glory, and thought I had missed my chance. Then in October 2006, I got a call from Time magazine. The editor was planning a special edition – 60 Years of Heroes – and my commission was to photograph Baroness Thatcher. Although by then I had photographed many famous people, getting this job was a brilliant moment in my career. During our meeting she held my hand and asked me several times, "When are the other people arriving?" She clearly thought I was shooting all the 'Heroes' at the same time, as if Mikhail Gorbachev, Nelson Mandela and her would be rubbing shoulders in this shabby studio in Battersea (picked because of it's proximity to her home). At the end she looked puzzled and said to me, “The others never came...” She was no longer 'The Iron Lady'. Just a once-formidable person succumbing to human frailty as we all eventually do. The ‘eyes-closed’ portrait was one of the last frames in the shoot and was taken using natural daylight. I hadn’t planned it. She just blinked and the idea for the picture came into my head. I asked her just to close her eyes. Even when I was taking the shot, I knew it was going to be an iconic picture. I used my Canon EOS-1Ds Mark II with a 50mm lens, with the camera on a tripod. The shoot lasted about 12 minutes. What makes this portrait special? I think when you get someone to close their eyes, they’re in a position where you can observe them. They seem vulnerable. Margaret Thatcher had so much dynamism and power, so when you see a photo of her in old age, and with her eyes closed, there’s something absorbing about looking at her and reflecting on how she affected our lives." Available in a choice of physical size options. Please ask for framing options. Please allow 2-3 weeks between order and delivery for an unframed photograph.  Framing adds 2-3 weeks.
  • The Spice Girls, Bangkok 1996. L to R: Geri Halliwell, Melanie Chisholm, Emma Bunton, Melanie Brown, and Victoria Adams (later Victoria Beckham) Harry Borden photographed the Spice girls on four occasions and this is his favourite Spice Girls image. Harry explains: "The location for the shoot was a half-built tower block in the centre of Bangkok, chosen because their record company’s offices were on a lower floor of the building. After shooting a number of pictures on the roof, we came down to the office and they sat down, exhausted by the heat. I immediately saw that this scene would make a much better picture than the others I’d taken. So I quickly asked them to hold their positions and shot a few frames, using my Fujifilm 6x7 rangefinder, with Kodak Tri-X film." "There’s a wonderful line going through it, partly because of the way they are touching or linking arms, and the interplay between the two pairs of girls looks very natural. I also like the variation in light; Geri, on the left, is lit like a figure from a Renaissance painting, while Victoria on the other side of the frame is backlit. The fact that Geri is looking slightly distant is also appropriate; she was older and more worldly than the others and went on to leave the group in 1998. The picture only came about because I was alive to the situation and didn’t switch off - and shows that sometimes magic happens when you’re not trying too hard. A print is now in the permanent collection of The National Portrait Gallery." Available in a choice of physical size options. Please ask for framing options.  Please allow 2-3 weeks between order and delivery for an unframed photograph.  Framing adds 2-3 weeks.
  • Special offer limited edition for the Masterplan25 exhibition Your chance to own a signed limited edition by Michael Spencer Jones in a special 8 x 10 inch size at a nice price. This 8 x 10 inch photograph shows one of the polaroids of Liam Gallagher taken by Michael Spencer Jones for (What's The Story) Morning Glory? in 1995. It is offered in an edition of 50, each one signed and numbered in white in the black area under the image by Michael Spencer Jones. We can supply it unframed or framed.  
  • To celebrate the 25th anniversary of the release of Oasis' landmark debut album Definitely Maybe, Michael Spencer Jones is releasing a limited edition contact sheet featuring nine of his favourite images from his key 1994 session with Oasis. Each print is signed and numbered on the front in the border under the image area, and there is a choice of two size options.  
  • Limited edition print by Alex Borg inspired by Bobbie Gentry's Ode to Billie Joe. Edition of 20 on 29.5 x 42 cm (11.7 x 16.5 inches) paper, each one individually hand-numbered and signed by Alex Borg. Can be supplied unframed or framed - select below.

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