A Gered Mankowitz Rolling Stones extravaganza with eye-popping large format artworks on the walls, coupled with the publication of a new signed limited edition book, Backstage, which features a wealth of previously unpublished behind-the-scenes photographs. You really don’t want to miss this exhibition–it is totally off the hook.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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A bedrock for any Stones collection. Gered recalls: "This image became my first cover for the band, and was the fulfilment of a dream for me at the age of 18. The original negative for this image was lost years ago, probably stolen from my studio where security was lax to say the least, but it was recently returned to me, having been found in an old lock-up in West London. After careful restoration I am now able to produce these beautiful prints. One of these prints is now part of the permanent collection at the National Portrait Gallery in London." Prices are shown excluding VAT. This is added at checkout where applicable.
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
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Keith Richards recording at Olympic Studios, London, 1967.
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Mick Jagger smoking, RCA Studios, Hollywood, December 1965 Used on the Big Hits (High Tide and Green Grass) LP
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Keith Richards recording at RCA Studios, Hollywood, December 1965. This photograph was used on the Big Hits (High Tide and Green Grass) album.
