• Limited edition of 75 + 10 artists proofs created from a traditional process in a mix of antique wood and movable type, each one individually numbered. Printed on 270 gsm G.F Smith Colorplan paper in Citrine.  Paper size 40 x 64 cm / 15.75 x 25 inches.  The price is shown for an unframed print. We can organise framing - please ask for a quote for framing and delivery based on your location. There are no delivery charges in the UK for an unframed print. Delivery charges apply outside the UK mainland.  
    • A beautiful 96 page hardcover book in protective slipcase.
    • Just 500 individually numbered copies of this book available worldwide.
    • This is an ultra large format volume. When closed, the book measures 24 inches high by 18 inches wide(60x45cm). When the book is open, double page spreads measure 24 x 36 inches (60x90cm).
    • Contains the very best of Donald Silverstein's surviving Jimi Hendrix archive.
    • Approximately 100 photographs, with around 95% of content previously unpublished.
    • Clean and elegant layouts allow us to show images in large formats revealing incredible levels of detail.
    • The book is housed in a beautiful custom slipcase.
    • Shipping - UK no charge / Europe £50 / USA £75 / Rest of World £95
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • Archival pigment print with 50 x 50 cm image size and 5cm white borders on matt textured 310 gsm Hahnemuhle fine art paper. Limited edition of 20, signed and numbered on the front under the image area by Louis Sidoli. Unframed price. Free UK delivery.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. This image teams up beautifully with its two other traffic light brother and sister images. They are available to purchase individually or as a set. The set can be hung horizontally or vertically. Prices shown below are for individual artworks. Sizes include the black border.  
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. This image teams up beautifully with its two other traffic light brother and sister images. They are available to purchase individually or as a set. The set can be hung horizontally or vertically. Prices shown below are for individual artworks. Sizes include the black border.
  • This image is made as a ChromaLuxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. This image teams up beautifully with its two other traffic light brother and sister images. They are available to purchase individually or as a set. The set can be hung horizontally or vertically. Prices shown below are for individual artworks. Sizes include the black border.
  • Archival pigment print with 50 x 50 cm image size and 5cm white borders on matt textured 310 gsm Hahnemuhle fine art paper. Limited edition of 20, signed and numbered on the front under the image area by Louis Sidoli. Unframed price. Free UK delivery.
  • Jimi Hendrix, Winterland, San Francisco, CA 1968 An archival photograph in a limited edition of 25 on 30 x 40 inch paper. A stamped, numbered, posthumous estate print issued by the Jim Marshall Estate in one size only with certificate of authenticity. Price is shown for an unframed example excluding VAT.
  • Jimi Hendrix, Panhandle, Golden Gate Park, San Francisco, CA 1967 An archival photograph in a limited edition of 25 on 30 x 40 inch paper. A stamped, numbered, posthumous estate print issued by the Jim Marshall Estate in one size only with certificate of authenticity. Price is shown for an unframed example excluding VAT.
  • Jimi Hendrix filming Janis Joplin Backstage at Winterland, San Francisco, CA 1968 An archival photograph in a limited edition of 25 on 16 x 20 inch paper. A stamped, numbered, posthumous estate print issued by the Jim Marshall Estate in one size only with certificate of authenticity. Price is shown for an unframed example excluding VAT.
  • Keith Haynes: Jimi in a Spin Mixed media: Cut from original 12” Hendrix vinyl, mounted on circular spin painting, inset into square perspex box case. Dimensions 70 x 70 x 6.5 cm. Unique (as no two are exactly alike) edition of 20 + 2 Artists Proofs. Price includes perspex frame (ready for hanging) but not delivery.
  • Jim Marshall: Jimi Hendrix, Hendrix in The West LP cover image. Archival photograph in a limited edition of 25. Image size 20x20 inches on 22 x 23 inch paper. A stamped numbered estate print issued by the Jim Marshall Estate in one size only with certificate of authenticity. Price is shown for an unframed example excluding VAT.
  • Archival silver gelatin photograph made in the darkroom from the original negative on 8 x 10 inch paper, image size 7.5 x 7.5 inches (19 x 19 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area.
  • Archival pigment print, 30 x 40 inch paper size, signed by Barrie Wentzell on the front, limited edition of 100 in this size
  • Four colour silkscreen print on Somerset paper, signed and numbered by Gered Mankowitz on the front, and embossed with Gered's official archive stamp. Edition of 500 + 50 artists proofs. Image size approx 22 x 29 inches on 30 x 40 inch paper. Price is shown for an unframed print excluding VAT
  • Four colour silkscreen print on Somerset paper, signed and numbered by Gered Mankowitz on the front, and embossed with Gered's official archive stamp. Edition of 500 in this size. Image approximately 22x29 inches.Price unframed excluding VAT
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • Handmade platinum print on 15 x 19 inch Arches Aquarelle Watercolour paper, signed/numbered in pencil by Gered Mankowitz on the front. Supplied window mounted to 16x20 inch mount size. The title, subject, location and date are embossed onto the mount. Edition of 35. Prices are shown excluding VAT. This is added at checkout where applicable.
  • Handmade platinum print, 11 x 11 inch image on 15 x 19 inch Arches Aquarelle Watercolour paper, signed/numbered in pencil by Gered Mankowitz on the front. Supplied window mounted to 16x20 inch mount size. The title, subject, location and date are embossed onto the mount. Edition of 35. Prices are shown excluding VAT. This is added at checkout where applicable.
  • Lenticular (len-tik-ular): A lenticular print is made by placing an "interlaced" image, (digitally cut and reassembled in vertical strips), behind a sheet of plastic with a series of parallel lenses or lenticules embossed into one surface. When the lens is aligned with the image, the viewer sees only one frame at a time. As the viewing angle changes, each of the images are seen in the planned sequence, creating the illusion of movement, depth or animation. Gered explains: "I have always been intrigued by Lenticular printing and saw my first example in New Yorks Times Square in 1965 when I was touring with the Stones it was a saucy postcard of a women revealing her breast as you tilted the card and changed the viewing angle. The Stones went on to use the technique as the cover to their Satanic Majesties album and after that I didn't think much more of it." "Then a few years ago a terrific printer I worked with asked me if I realised that you could now make huge 6ft x 4ft Lenticular prints and I was hooked. They are terribly difficult to produce and take several days to design but the results are incredibly rewarding and it is always a thrill to see people moving from side to side enthralled by the effects the Lenticular Dance! I have produced a completely new lenticular edition for this exhibition based on a series of portraits of Jimi wearing a hat that I took during the second session in March 1967." This lenticular is made up of the three images shown alongside, with blue Jimi as the image view from head on. Prices are shown excluding VAT. This is added at checkout where applicable.
  • Archival 'SoftSharp' pigment print, reverse mounted in 20mm clear acrylic, supplied with certificate of authenticity, signed and numbered by Gered Mankowitz on the reverse. Edition of 10 ( + 3 artists proofs) in this size. Price for this piece includes acrylic framing, and excludes 20% VAT, which is added at checkout for UK customers.   JUST ONE LEFT. This piece is a presented in a technique called 'Softsharp': a special coating is applied to the front of the image and the impact is that it moves from soft to sharp focus (and back)  before your very eyes. Jimi would definitely have approved. Supplied in a 'frameless' perspex frame made with 20mm clear perspex on the front of the image and split baton hanging structure on the reverse, 'Psychedelic blue' and its sister piece, Jimi 'Psychedelic Pink' work beautifully as a pair.
  • Archival 'SoftSharp' pigment print, reverse mounted in 20mm clear acrylic, supplied with certificate of authenticity, signed and numbered by Gered Mankowitz on the reverse. Edition of 10 ( + 3 artists proofs) in this size. Price for this piece includes acrylic framing, and excludes 20% VAT, which is added at checkout for UK customers.   JUST ONE LEFT. This piece is a presented in a technique called 'Softsharp': a special coating is applied to the front of the image and the impact is that it moves from soft to sharp focus (and back)  before your very eyes. Jimi would definitely have approved. Supplied in a 'frameless' perspex frame made with 20mm clear perspex on the front of the image and split baton hanging structure on the reverse, 'Psychedelic pink' and its sister piece, Jimi 'Psychedelic blue' work beautifully as a pair.
  • Limited edition in a choice of physical size options, signed and numbered by Gered Mankowitz.
  • In the exhibition we have chosen to display this image mounted on dibond, trimmed to display the image area only, and presented in a white box frame construction with the mounted print 'floating'. Framed in this way, the signature and number appear on the reverse. It could equally be supplied in a regular frame and window mount, signed and numbered on the front. Prices are shown excluding VAT. This is added at checkout where applicable.
  • Printed on metallic paper, mounted on aluminium and presented in a box frame without glazing to maximise the impact of light falling on the metallic paper. Prices are shown excluding VAT. This is added at checkout where applicable.
  • Printed on metallic paper, mounted  and presented in the exhibition in a box frame without glazing to maximise the impact of light falling on the metallic paper. Prices are shown excluding VAT. This is added at checkout where applicable.

Title

Go to Top