• Gered Mankowitz: Sparks

    £ 1,850£ 4,075
    Prices are shown excluding VAT. This is added at checkout where applicable.
  • Gered Mankowitz: Francoise Hardy

    £ 1,850£ 4,075
    Prices are shown excluding VAT. This is added at checkout where applicable.
  • Gered Mankowitz: Eric Clapton

    £ 1,850£ 4,075
    Prices are shown excluding VAT. This is added at checkout where applicable.
  • Kate in a green leotard, from the series for Wuthering Heights in January 1978.
  • "From the Pink Leotard series for Wuthering Heights in January 1978. I had decided on a range of dancers clothes for the wardrobe of this first session because of Kate's strong connection with movement." Gered Mankowitz
  • Keith Richards recording at RCA Studios, Hollywood, December 1965. This photograph was used on the Big Hits (High Tide and Green Grass) album.
  • Mick Jagger smoking, RCA Studios, Hollywood, December 1965 Used on the Big Hits (High Tide and Green Grass) LP
  • The Rolling Stones on stage, USA 1965
  • Keith Richards recording at Olympic Studios, London, 1967.
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • Platinum Icons box set collection

    £ 2,000£ 23,000
    Gered Mankowitz has selected eight of his most important photographs from his 1960s archives to produce as platinum prints and present in this very special box set collection. This beautiful portfolio of eight 15 x 19 inch platinum prints is offered to collectors in an edition of 35 box sets. The subjects featured are: Jimi Hendrix Smoking, Masons Yard Studio, London (1967) ; Jimi Hendrix: Classic, Masons Yard Studio, London (1967) ; The Rolling Stones, Caged, London (1965) ; Mick Jagger, RCA studios, Hollywood (1965) ; The Rolling Stones, Primrose Hill, London (1966) ; Marianne Faithfull, The Salisbury Pub, St Martins Lane, London (1964) ; The Yardbirds, Ormond Yard, London (1966) ; Eric Clapton, Twickenham film Studios (1969) Platinum prints are among the most beautiful and permanent forms of photographic reproduction, revealing textures, depth and tones that are unmatched by other processes. Each platinum photograph is made by hand on Arches Aquarelle Watercolour paper, measuring 15 inches by 19 inches, and each one is signed and numbered in pencil by Gered Mankowitz on the front of the paper just below the image area. Each photograph is then archivally window mounted to display the image area. The title, subject, location and date are embossed onto the mount. Although image sizes vary, the mounts are cut to a consistent size (16 x 20 inches) which ensures that when framed, the photographs all have the same external dimensions so that when framed, they can hang together in perfect symmetry. They are supplied mounted, but unframed, and housed in a beautiful 17 x 21 inch acid free purple portfolio box with Gered Mankowitz's signature on the front. The mounts are cut to cover the signature and number. Prices are shown excluding VAT. This is added at checkout where applicable.  
  • This image is made as a ChromaLuxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. This image teams up beautifully with its two other traffic light brother and sister images. They are available to purchase individually or as a set. The set can be hung horizontally or vertically. Prices shown below are for individual artworks. Sizes include the black border.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. This image teams up beautifully with its two other traffic light brother and sister images. They are available to purchase individually or as a set. The set can be hung horizontally or vertically. Prices shown below are for individual artworks. Sizes include the black border.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. This image teams up beautifully with its two other traffic light brother and sister images. They are available to purchase individually or as a set. The set can be hung horizontally or vertically. Prices shown below are for individual artworks. Sizes include the black border.  
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world.
  • Gered Mankowitz: The Cross: Mick

    £ 2,083£ 8,333
    This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
  • This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
  • Gered Mankowitz: The Cross: Keith

    £ 2,083£ 8,333
    This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
  • Gered Mankowitz: The Cross: Brian

    £ 2,083£ 8,333
    This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
  • Gered Mankowitz: The Cross: Bill

    £ 2,083£ 8,333
    This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white coated aluminium. The print cannot be scratched, and do not need additional framing/glazing. This allows the viewer to fully appreciate the highly saturated colours and jewel-like appearance.
  • A bedrock for any Stones collection. Gered recalls: "This image became my first cover for the band, and was the fulfilment of a dream for me at the age of 18. The original negative for this image was lost years ago, probably stolen from my studio where security was lax to say the least, but it was recently returned to me, having been found in an old lock-up in West London. After careful restoration I am now able to produce these beautiful prints. One of these prints is now part of the permanent collection at the National Portrait Gallery in London." Prices are shown excluding VAT. This is added at checkout where applicable.
  • A variant of the 1966 album cover photograph. Gered recalls: "This photograph is an out-take from the "Between the Buttons" album cover session. It was taken very early on a beautiful morning after an all night recording session. The Stones always recorded through the night and I thought that their "look" after one of these gruelling sessions might capture an image that would be right for the time. The band's manager and producer Andrew Loog Oldham agreed, as did the band, and at about 5.30 a.m. we all set off in a procession of limousines for Primrose Hill. I had built a rather clumsy filter of black card, glass and Vaseline, which I hoped would create a strange, ethereal and slightly "stoned" look to the photos. In spite of Brian Jones being rather unhelpful some of the time, and all of us feeling the bitter early morning chill, the photos turned out better than I could have wished for and the cover image has become one of my most famous and enduring photos of the Stones". Prices are shown excluding VAT. This is added at checkout where applicable.
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • A variant of the 1966 album cover photograph. Gered recalls: "This photograph is an out-take from the "Between the Buttons" album cover session. It was taken very early on a beautiful morning after an all night recording session. The Stones always recorded through the night and I thought that their "look" after one of these gruelling sessions might capture an image that would be right for the time. The band's manager and producer Andrew Loog Oldham agreed, as did the band, and at about 5.30 a.m. we all set off in a procession of limousines for Primrose Hill. I had built a rather clumsy filter of black card, glass and Vaseline, which I hoped would create a strange, ethereal and slightly "stoned" look to the photos. In spite of Brian Jones being rather unhelpful some of the time, and all of us feeling the bitter early morning chill, the photos turned out better than I could have wished for and the cover image has become one of my most famous and enduring photos of the Stones".
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • Four colour silkscreen print on Somerset paper, signed and numbered by Gered Mankowitz on the front, and embossed with Gered's official archive stamp. Edition of 500 + 50 artists proofs. Image size approx 22 x 29 inches on 30 x 40 inch paper. Price is shown for an unframed print excluding VAT
  • Prices are shown excluding VAT. This is added at checkout where applicable.
  • Archival limited edition photograph on 17 x 30 inch paper, signed and numbered by Gered Mankowitz on the front, and embossed with Gered's official archive stamp Edition of 25 in this size.Prices are shown excluding VAT. This is added at checkout where applicable.

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