• Custom limited edition of 25, dye-sublimated on white coated aluminium, cut-out with subframe giving 3D effect. Can be made in a bespoke size up to 250cm / 98 inches long. The 3D cut-out can be displayed unframed or framed.  
  • This is Julian Broad's cover photograph for Paul Weller's fifth solo album, Heliocentric, released in April 2000. Julian Broad started working with Paul Weller in 1992, shortly after the release of his first solo album. Heliocentric was Broad's first album cover session with Paul Weller, and he was very excited about the prospect. The location for the shoot was London's Ragged School studio, and  the session was inspired by the cover of Free's 1970 album Fire and Water.
  • Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Here's Paul Weller photographed by Peter Anderson in 1984 on the location of the Style Council's video for their fifth single, "My Ever Changing Moods." Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Mixed media: Original 7” and 12” Jam record sleeves. Unique edition of 5.
    Each one is different, and individual sleeves will vary from piece to piece. Framed size 95 cm x 95 cm, in white box frame. Price includes frame but not delivery. Please ask for a quote for delivery based on your location.
  • A dramatic portrait of Paul Weller by Pennie Smith, taken close to The Manor Studios, near Oxford, in 1995. Achieving the balance between the light on Paul's face and the dark outline of the ruins behind requires the supreme skill of a master black and white hand-printer. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.   
  • Paul Weller photographed behind Manor Studios, Oxford in 1995 by Pennie Smith. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing. 
  • I read somewhere that this is Paul Weller’s favourite photograph of The Jam. Maybe that’s because it is just him and Bruce — or maybe it is because it is a truly great image. We call it “tripod” because Bruce and Paul seem to have fused into a rock-solid three-legged entity. One thing you may not notice at first - see how the shadows form edgy geometric shapes on the floor. Taken in 1978, this photograph appeared on the front cover of NME on 4 November of that year, under the headline “Jam today”.  This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
  • Paul Weller in cream trousers and corduroy overcoat photographed by Pennie Smith at the video shoot for “Funeral Pyre”. The filming took place at Horsell Common, near Woking in 1981.  This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing. 

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