• Limited edition of 75 + 7 artists proofs created from a traditional process in a mix of antique wood and movable type, each one individually numbered. Printed on Azure blue 270 gsm G.F Smith Colorplan paper. Paper size 40 x 64 cm / 15.75 x 25 inches.  The price is shown for an unframed print. We can organise framing – please ask for a quote for framing and delivery based on your location. There are no delivery charges in the UK for an unframed print.  Delivery charges apply outside the UK mainland.
  • In Spines #7 Paul Weller, Keith Haynes recreates the spines of fifty five 12-inch singles and albums by The Jam, The Style Council and Paul Weller. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #7 Paul Weller: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
  • Olly Ball’s recollections of the session are fascinating:  “We shot the cover of Our Favourite Shop on a Sunday afternoon in London in April or May 1985, at Bow Street Studios in Covent Garden. I was based there for ten years.” “I wasn’t a rock photographer as such. I mostly shot magazine editorial in those days. I was offered the job because Simon Halfon, the designer, had seen some photos I’d shot for the Observer Magazine Living Extra. These were pictures of rooms based on a TV programme; so we’d have Jewel In The Crown on the TV and all the props and food would be Indian. The other themes were Dallas, Arena and The Tube.” “Most of the stuff in the shop belonged to Paul and Mick, but the snooker cue and George Best coat hanger are mine. Fran Crawley was the stylist and she supplied the counter, book-rack etc. The set was built by my assistant, and great friend, Ross Kerridge with Peter Chatterton. Paul and Mick dressed most of the set, but we were all involved, and I shot it on a Mamiya RB6x7 on a 90mm lens.” “I’m happy to say it went straight to number 1 in the album charts, but it remains the only album cover I ever shot.”
  • Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Mixed media piece cut from original Jam album, plus red and blue vinyl records. Each one is different, and individual albums will vary from piece to piece. Choose your favourite album if you like, or leave it to us. You can see Sound Affects and All Mod Cons here. Unique edition of 50, each piece signed and numbered by Keith Haynes. Standard version is presented in a 52cm x 52cm white wood frame, with a circular white mount. As an alternative, you can choose a black frame with a red circular mount. Price includes frame but not delivery. Please ask for a quote for delivery based on your location.
  • Jamie Byrne: All Mod Cons

    £ 595£ 3,500
    For his incredible graphic novel album commissions, Jamie Byrne takes a favourite LP and represents each of the tracks in graphic novel style. Jamie will create a bespoke original commission for you, focusing on your album of choice, made with a 100 x 100 cm image size (or a smaller size of your choice to suit your space). Each original commission is made on high-gloss coated aluminium, framed in a tray frame without glazing, and signed and numbered 1/1 by Jamie on the reverse. Once an original is created, Jamie makes limited editions of 10 with a 50 x 50 cm / 20 x 20 inch (approx) image and 10 with a 75 x 75 cm / 30 x 30 inch (approx) image. The limited editions are archival pigment prints on paper, and can be supplied unframed or framed. Prices for the limited editions are shown without frames. Please ask for a quote if you would like us to arrange framing.
  • This one was taken on the 2001 Days of Speed Tour. We really like the crop and the lighting on this - it puts the emphasis onto his knees, feet, the stool and his guitar. There's great movement in this picture: see how Paul's foot is caught mid bounce by Lawrence.

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